Entertainment
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| By Anayo Ezugwu | Jun 13, 2016 @ 01:00 GMT |
STAKEHOLDERS and artistes in the creative and entertainment industry in Africa whose works have been pirated will soon heave a sigh of relief as the African Union, AU, is set to implement policies of its Pan-African Intellectual Property Organisation, PAIPO. Angela Martins, head of culture division, African Union Commission, maintained that PAIPO is one of AU’s continental tools to help protect and promote not only the rich African culture but intellectual works of talented artistes on the continent.
Martins disclosed this during the AUC/AFRIMA Joint conference which held in Banjul, Gambia, to discuss and proffer solutions to the challenges facing the African Music Industry. The 26th Assembly of the African Union established PAIPO in January 2016. The conference, which was part of activities marking the 10th anniversary of the AU Youth Charter, had the theme, ‘Using Music, Culture and Entertainment as tools for a new Africa.’
She said PAIPO would help African artists attain global heights, adding: “The mandate of the African Union is related to the development of continental policies in the various developmental sectors. The continental policies of the Culture Division include, the Charter for African Cultural Renaissance (adopted by the AU Assembly in Khartoum in January 2006, also celebrating 10 years this year but not yet in force).
“The African Union Plan of Action on Cultural and Creative Industries of 2008 and the most recent AU Framework for Development, the African Union Agenda 2063 which has a strong component on culture and heritage issues. Another continental tool is the adoption by the 26th Assembly of the African Union in January 2016 of the establishment of the Pan-African Intellectual Property Organisation, PAIPO. This achievement is worth noting because it is aimed at playing a greater role in the protection of the work of artists in line with the work the AFRIMA is doing for the promotion of African artistes.”
Martins eulogised the activities of AFRIMA and its stance on promoting culture through music and recognition of talents in the continent. “The African Union Commission cherishes the collaboration it has with Pan-African Cultural Institutions like AFRIMA since they partner with the AU Member States in the implementation of continental policies in this case in the areas of arts, culture and heritage.
“Our collaboration with AFRIMA started in 2014. And we have since witnessed two editions of the All Africa Music Awards in 2014 and 2015 events which recognised the value of African Artistes and promoted African Music both in the continent and internationally. The event showcases the potential of African Music in contributing to continental development through decent job creation for the youthful population of the continent,” she said.
The AU representative also disclosed that partnering AFRIMA in its continental policy implementation has placed African music and talents on a global pedestal, a move that has helped boost job creation and social development in the continent. “”Our collaboration with AFRIMA started in 2014. And we have since witnessed two editions of the All Africa Music Awards (in 2014 and 2015) events which recognised the value of African artistes and promoted African music both in the continent and internationally. The event showcases the potential of African Music in contributing to continental development through decent job creation for the youthful population of the continent.”
However, the economic power of culture and African music must be harnessed. This was highlighted in a paper presentation by Efe Omoregbe, managing director, Now Muzik. According to him, the rich African cultural heritage, awe-inspiring totems, mind-blowing music, and exciting dance moves must be explored in order to allow growth in the continent’ economies and deliver wealth to the people.
Omoregbe highlighted challenges to be, the laws and the regulatory environment; infrastructure and facilities; education and training of practitioners and policy makers, and having an effective system for the collective management of Copyright. He pointed that these challenges are surmountable as long as policy makers are determined to effect a change.
On his part, Brahim El Hazned, regional director for North Africa, AFRIMA, in his paper presentation at the conference, said that music play a vital role in any nation’s development. He said music is a catalyst for personal and societal change, and can be utilised as a framework for self-representation and a source of oral history and local knowledge. He noted that music also helps in public education and community mobilisation.
He did highlight challenges of the music industry as globalisation; financial crisis; the reform of business in the music industry; technological innovations; powerful competition and a multiple and evolving expectations of informed and demanding consumers. El Hazned noted that a change would be experienced through the involvement and impact of both the local and international media, radio, television and the internet.
El Hazned also pointed out that other agents of change, who can make impacts, as international non-profit organisations and state/local governments. “These are who will organise and be in involved Arts-based public sector programmes and the governments can make policies that will help boost the arts,” he said.
Other panellists/discussants in attendance at the conference were Matlou Tsotsei, director, Sponsorship and Communications, AFRIMA, (South Africa); Lamin Darboe, executive director, National Youth Council, (The Gambia); Cordelia Okpei, media executive, AFRIMA, (Nigeria), and Laolu Akins, (Nigeria). Others are 2015 AFRIMA winners which included Stonebwoy (Ghana); Mv’vula (Angola) Adekunle Gold (Nigeria) and Stanley Enow (Cameroon).
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